Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 286 | hunting Baths | European city landscape, street landsacpe, construction, frontstore, building and architecture.067 | Floral, beautiful classical still life of flowers.097 | South-Tyrolian Evangelistarium |
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Joseph Nigg
(born 13 October 1782 in Vienna) was an Austrian painter, with painting on porcelain a specialty. Flower Arrangement by Joseph NiggNigg studied at the Academy of Fine Arts in Vienna with Johann Baptist Drechsler. From 1800 to 1843, Nigg worked as a flower painter in a Viennese porcelain factory. Beginning in 1835, this post also involved holding classes in painting at the factory. With the advent of the Biedermeier Era, flower painting became immensely popular and was also to be found on large porcelain plaques. A piece of this sort, thirty inches in height, was presented by Nigg, on behalf of the Viennese factory, at the The Great Exhibition of 1851 in London. In addition to working in porcelain, Nigg also created oil paintings, watercolors, and pastel drawings. Two of his paintings, "Grandmother's Bouquet I" and "Grandmother's Bouquet II" have found enduring popularity as poster and print reproductions. Nigg died in Vienna on September 19, 1863.
Jan miel
Dutch Baroque Era Painter, ca.1599-1664 Flemish painter, active in Italy. Miel must have arrived in Rome in the early 1630s; he immediately came under the influence of Pieter van Laer (il Bamboccio) and the BAMBOCCIANTI. His earliest paintings of bambocciate (low-life scenes) are the Bowls Players (1633; Paris, Louvre) and its companion piece The Cobbler (Besan?on, Mus. B.-A. & Arch?ol.). Shortly after his arrival in Rome, Miel joined the Schildersbent, a confraternity of Netherlandish artists, and was given the nickname 'Bieco' ('threatening look'). His presence in Rome is documented from 1636 to 1658, when he moved to Turin and entered the service of Charles-Emanuel II, Duke of Savoy. Other early paintings that can be attributed to the 1630s include Halt at the Inn (Marseille, Mus. B.-A.) and Hunters' Rest (Warsaw, N. Mus.). Both are reworkings, in their subject-matter and composition, of contemporary paintings by van Laer, such as his Hunters Resting (Florence, Uffizi) and Halt at the Inn (Paris, Louvre).
Jaime Morera Galicia
Spanish , 1854-1927